element’s left would jump from 75 to 25, but the tween’s position in the timeline would remain consistent. Remember, the timeline’s playhead position and direction are unaffected by child tween/timeline changes. Therefore the playhead of the timeline would now be at the tween’s 25% completion point instead of 75%. If smoothChildTiming is false (the default except for the root timelines), the tween would flip in place, keeping its startTime consistent. For example, imagine that the timeline’s playhead is on a child tween that is 75% complete, moving element’s left from 0 to 100 and then that tween’s reverse() method is called. SmoothChildTiming : Boolean - Controls whether or not child tweens/timelines are repositioned automatically (changing their startTime) in order to maintain smooth playback when properties are changed on-the-fly. For example, if repeat is 2 and repeatDelay is 1, the animation will play initially, then wait for 1 second before it repeats, then play again, then wait 1 second again before doing its final repeat. RepeatDelay : Number - Amount of time in seconds between repeats. For example, if repeat is 1, the animation will play a total of twice (the initial play plus 1 repeat). Repeat : Number - Number of times that the animation should repeat after its first iteration. Paused : Boolean - If true, the animation will pause itself immediately upon creation. Without a timeline, building complex sequences would be far more cumbersome because you’d need to use the delay special property for every tween. The syntax is similar as TimelineMax in the 2.X version but with some improvements.

It is most similar to TimelineMax if you’re familiar with the GSAP 2.X syntax. It is the ultimate sequencing tool that acts like a container for tweens and other timelines, making it simple to control them as a whole and precisely manage their timing. Motion templates available from is essentially a chain of tween (.Performance tests are conducted using specific computer systems and reflect the approximate performance of MacBook Pro. Prerelease Final Cut Pro 10.6 tested using a 5-minute project with 8K Apple ProRes 422 media, at 8192x4320 resolution and 29.97 frames per second. Testing conducted by Apple in September 2021 using preproduction 16-inch MacBook Pro systems with Apple M1 Max, 10-core CPU, and 32-core GPU, as well as production 2.4GHz 8-core Intel Core i9-based 16-inch MacBook Pro systems with Radeon Pro 5600M graphics with 8GB of HBM2, all configured with 64GB of RAM and 8TB SSD.Prerelease Final Cut Pro 10.6 tested using a 5-minute project with 4K Apple ProRes 4444 media, at 3840x2160 resolution and 23.98 frames per second, transcoded to Apple ProRes 422. Prerelease Final Cut Pro 10.6 tested using a 1-minute picture-in-picture project with 7 streams of Apple ProRes 422 video at 8192x4320 resolution and 30 frames per second, as well as a 1-minute picture-in-picture project with 30 streams of Apple ProRes 422 video at 3840x2160 resolution and 29.97 frames per second. Testing conducted by Apple in September 2021 using preproduction 16-inch MacBook Pro systems with Apple M1 Max, 10-core CPU, and 32-core GPU, 64GB of RAM, and 8TB SSD.

Final cut pro key to start of timeline